Woman’s Breasts Too Large For Florida Theme Park

I know you want to decide for yourself, so here’s a link to about 25 pictures and videos of her breasts. Today’s story begins with a 26-year-old Florida woman who says she was ‘humiliated and embarrassed’ after being denied entry to Universal Studios. Whitney Paige Venable showed up at the Orlando park wearing a skimpy top and was told she could not enter the park unless she changed her top. Venable says she was ‘sexualized and targeted’ due to the size of her breasts. She went on to say that she saw many other women wearing similar outfits, but she was singled out due to the size of her breasts. But wait, there’s more! You’re not gonna believe this, but the woman is a SOCIAL MEDIA MODEL!
In a video released by Venable, staff personnel can be seen telling her that she would have to change tops or cover up to be allowed entry into the park. She says a friend loaned her a shirt, which she put on over her top, but removed it after she was in the park due to it being “ugly”. Venable says her ‘naturally big breasts’ regularly ‘make people uncomfortable,’ but she’s grown tired of being singled out because of them., saying women who have smaller breasts are not sexualized like hers. She went on to say that her Twitter account was deleted due to her breasts, citing a picture that she posted of her in her underwear. While she felt the picture was fine, Twitter disagreed and said she was promoting sexual activity. Venable blames her Twitter deletion on being too good-looking, saying her account would still be active had they not been jealous of her.
You may remember a similar from last year, when a woman was given a free Disney shirt to cover herself while in the park. The woman’s video went viral after she posted the situation online, calling it a free Disney t-shirt hack. That video has been viewed more than 30 million times. Source: DailyMail.Co.UK

Alice Turned 75 Over The Weekend!

The Prince Of Darkness Scores!

Grammy Awards: 2023 Rock/Metal/Alternative Winners List

• Best Rock Performance

  Beck – “Old Man”
  The Black Keys – “Wild Child”
  Brandi Carlile – “Broken Horses” – WINNER
  Bryan Adams – “So Happy It Hurts”
  Idles – “Crawl!”
  Ozzy Osbourne Featuring Jeff Beck – “Patient Number 9”
  Turnstile – “Holiday”

   

  Carlile appeared thrilled and shocked to win the Grammy for Best Rock Performance with her bandmates Phil and Tim Hanseroth. She said in her acceptance speech, “I cannot tell you how much this means to us. We’re born and raised in Seattle. When I met these guys 22 years ago, we decided to get in a van and be a band together.” Carlile added, “I met them, and they were covered in Ramones tattoos, and they had never even played an acoustic guitar. And then this happened!”

• Best Metal Performance

  Ghost – “Call Me Little Sunshine”
  Megadeth – “We’ll Be Back”
  Muse – “Kill or Be Killed”
  Ozzy Osbourne Featuring Tony Iommi – “Degradation Rules” – WINNER
  Turnstile – “Blackout”

   

  Producer Andrew Watt accepted the Grammy along Metallica bassist Robert Trujillo, who both played on Ozzy’s latest studio album Patient Number 9. Watt said during his speech, “We had so much fun making this album. We got to unite Ozzy and Tony together and make a great song.” Watt added, “I talked to Ozzy on the car ride over and he had two messages for the people: I love you all, and f— off!”

• Best Rock Song

  Brandi Carlile – “Broken Horses” – WINNER
  Ozzy Osbourne Featuring Jeff Beck – “Patient Number 9”
  Red Hot Chili Peppers – “Black Summer”
  Turnstile – “Blackout”
  The War on Drugs – “Harmonia’s Dream”

   

  Carlile, once again, looked thrilled and shocked to win another Grammy tonight when she won Best Rock Song for “Broken Horses.” The singer-songwriter acknowledged her mother in the crowd saying, “Mom, I gotta thank you for telling me to stop singing so angry, because I ignored that, like I ignored everything you ever told me to do.” She continued, with a laugh, “But I cut my hair, and I learned how to scream, and I just won a Grammy for a rock and roll song I wrote with all my heart.”

• Best Rock Album

  The Black Keys – Dropout Boogie
  Elvis Costello & The Imposters – The Boy Named If
  Idles – Crawler
  Machine Gun Kelly – Mainstream Sellout
  Ozzy Osbourne – Patient Number 9 – WINNER
  Spoon – Lucifer on the Sofa

   

  Watt and Trujillo returned to accept the Grammy for Best Rock Album on Ozzy’s behalf. Watt said, “We just want to take a second to thank the unbelievable musicians that helped to make this album. So many people came together for Ozzy: The great Taylor Hawkins, Chad Smith, Robert Trujillo, the great Jeff Beck – the greatest guitar player alive, Josh Homme.” Trujillo then jumped in and continued, “Tony Iommi of Black Sabbath.”

• Best Alternative Music Performance

  Arctic Monkeys – “There’d Better Be a Mirrorball”
  Big Thief – “Certainty”
  Florence and the Machine – “King”
  Wet Leg – “Chaise Lounge” – WINNER
  Yeah Yeah Yeahs Featuring Perfume Genius – “Spitting Off the Edge of the World”

   

  The British Indie rock band looked absolutely floored they won the Grammy for Best Alternative Music Performance. Rhian Teasdale said while holding the award, “This is so funny. Thanks so much. What are we doing here? I don’t know! But here we are.” She continued, “This year has been so surprising, starting this band has been such a surprise.”

• Best Alternative Music Album

  Arcade Fire – WE
  Big Thief – Dragon New Warm Mountain I Believe in You
  Björk – Fossora
  Wet Leg – Wet Leg – WINNER
  Yeah Yeah Yeahs – Cool It Down

   

  Wet Leg returned to the stage to accept the Grammy for Best Alternative Music Album. Once again, the band couldn’t believe what was happening. Henry Holmes said, “This is just a magical evening. There are so many people out there we should thank, and my mind has gone blank. I feel I might wet myself, and it’s all getting a bit much. Thank you to everyone who’s helped us do this.” He added, while pointing to his bandmates, “And thank you to all you guys. We’re one big f—ed up family.”

• Record of the Year

  ABBA – Don’t Shut Me Down
  Adele – Easy on Me
  Beyoncé – Break My Soul
  Brandi Carlile Featuring Lucius – You and Me on the Rock
  Doja Cat – Woman
  Harry Styles – As It Was
  Kendrick Lamar – The Heart Part 5
  Lizzo – About Damn Time – WINNER
  Mary J. Blige – Good Morning Gorgeous
  Steve Lacy – Bad Habit

• Album of the Year

  ABBA – Voyage
  Adele – 30
  Bad Bunny – Un Verano Sin Ti
  Beyoncé – Renaissance
  Brandi Carlile – In These Silent Days
  Coldplay – Music of the Spheres
  Harry Styles – Harry’s House – WINNER
  Kendrick Lamar – Mr. Morale & the Big Steppers
  Lizzo – Special
  Mary J. Blige – Good Morning Gorgeous (Deluxe)

• Song of the Year

  Adele – “Easy on Me”
  Beyoncé – “Break My Soul”
  Bonnie Raitt – “Just Like That” – WINNER
  DJ Khaled Featuring Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy – “God Did”
  Gayle – “ABCDEFU”
  Harry Styles – “As It Was”
  Kendrick Lamar – “The Heart Part 5”
  Lizzo – “About Damn Time”
  Steve Lacy – “Bad Habit”
  Taylor Swift – “All Too Well” (10 Minute Version) (The Short Film)

• Best New Artist

  Anitta
  Domi & JD Beck
  Latto
  Måneskin
  Molly Tuttle
  Muni Long
  Omar Apollo
  Samara Joy – WINNER
  Tobe Nwigwe
  Wet Leg

Alice Cooper: His 25 Best Songs Ranked

• 25. “I Love The Dead” – ‘Billion Dollar Babies’ (1973)

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  The final track on 1973’s ‘Billion Dollar Babies’ is without a doubt one of Alice Cooper’s creepiest. The song’s eerie piano-led introduction paired with scorching solos from guitarist Glen Buxton tackles exactly what Cooper is known for: humorously macabre subject matter.

• 24. “Luney Tune” – ‘School’s Out’ (1972)

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  One of the Alice Cooper Group’s grizzliest tracks - that features a violin solo nonetheless!

• 23. “Devil’s Food / The Black Widow” – ‘Welcome To My Nightmare’ (1975)

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  How do you take a song and make it both scary and fun? Add Vincent Price of course! “Devil’s Food” and “The Black Widow” set the scene for Alice’s first concept record. 1975’s ‘Welcome To My Nightmare’ retells the nocturnal nightmares of a young boy named Steven and kicked Alice Cooper’s new solo career into high gear.
• 22. “Might As Well Be On Mars” – ‘Hey Stoopid’ (1991)

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  Although Alice Cooper is known for his upbeat, hard-rockin', anthemic tracks, his talents as not only a songwriter but a lyricist are vastly underrated. The sixth track on 1991’s ‘Hey Stoopid,’ clocking in at just over seven minutes, is a superb example of The Coop’s ability to write a tear-jerkin’ ballad.

• 21. “Bed of Nails” – ‘Trash’ (1989)

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  In the late ‘80s, Alice Cooper - with the help of Bon Jovi and Aerosmith producer, Desmond Child - adapted to the newest generation of sex, drugs, and rock and roll. And since it was the ‘80s, of course, that also included a lot of Aquanet. The sixth track on 1989’s ‘Trash’ is a perfect example of Alice’s flawless transition to the hard rock of the time.

• 20. “Department of Youth” – ‘Welcome To My Nightmare’ (1975)

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  Since the start of Alice Cooper’s career, he’s had a reputation as a parent’s worst nightmare. But that hasn’t stopped him from appealing to the world’s youth – in fact, it probably helped. Songs like “School’s Out” and this one became youth anthems that transcended the era.
• 19. “Be My Lover” – ‘Killer’ (1971)

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  “She asked me why the singer’s name was Alice/I said listen, baby/You really wouldn’t understand.” Before ‘Wannabe’ by The Spice Girls, there was Alice Cooper. Written by original Alice Cooper Group guitarist Michael Bruce, this cut is a Cooper classic; fit with a catchy, boogie-esque riff and noteworthy guitar fills from Glen Buxton.

• 18. “Ballad of Dwight Fry” – ‘Love It To Death’ (1971)

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  “Mommy, where’s daddy?/Do you think he’ll ever come home?” There’s no way this list could exist without including one of Alice Cooper’s most haunting tracks and a live show staple - usually sang in the shock rocker’s infamous straitjacket right before he gets the guillotine!

• 17. “Guilty” – ‘Alice Cooper Goes To Hell’ (1976)

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  Although so many of the tracks in Alice Cooper’s catalog seem to revolve solely around the caricature of Alice Cooper, many of them translate into a way larger, more personal, picture. ‘Guilty’ seems to do the same thing, touching on the public’s consistent finger-pointing of Alice’s so-called ‘violent influence’ on the youth. “If you call that guilty/Well then, I guess I am.”
• 16. “Killed By Love” – “Along Came A Spider” (2008)

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  A.C. has always had a knack for writing stories, and he knocks it out of the park once again with this concept record, ‘Along Came A Spider’, which details the thoughts of a spider-obsessed serial killer on the hunt for his next victim. …we know, pretty on-brand for The Coop, right? This cut is one of the releases’ finest efforts.

• 15. “I Never Cry” – ‘Alice Cooper Goes To Hell’ (1976)

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  Yet another example of Alice’s exquisite lyrical work. Though a tamer track from Cooper, “I Never Cry” seems to serve as a confessional and is arguably one of the rawest songs in his seemingly endless catalog

• 14. “Caught In A Dream” – ‘Love It To Death’ (1971)

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  This upbeat, rockin’ track opens up the Alice Cooper Group’s third studio record; although ‘Love It To Death’ almost seems like their first (their first two albums, 1969’s ‘Pretties For You’ and 1970’s ‘Easy Action’ were good, but things really kicked in with ‘Love It To Death’). With the help of producer Bob Ezrin, also known for his later work with KISS and Pink Floyd, the Alice Cooper Group found the unique sound that would propel them into their next six records.
• 13. “Hello Hooray” – ‘Billion Dollar Babies’ (1973)

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  This atmospheric track is arguably one of the greatest album openers of the 1970s and was written with the sole purpose of opening up a mind-blowing rock and roll show… which is exactly what the Alice Cooper Group did on the Billion Dollar Babies tour. As seen in the shockingly bad, yet fantastic, ‘Good To See You Again Alice Cooper’ film.

• 12. “Nurse Rozetta” – ‘From The Inside (1978)

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  Following a stay in a mental asylum in the late ‘70s to treat his alcoholism, Alice returned to his musical craft with a plethora of stories and characters that he used to create his greatest concept record yet, ‘From The Inside.’

• 11. “He’s Back (The Man Behind The Mask)” – ‘Constrictor’ (1986)

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  After stepping out of the spotlight for three years, Cooper returned with a heavy metal roar on his 1986 record ‘Constrictor.’ The album, featuring muscle-bound shredder Kane Roberts, contains this cheesy yet memorable tune that was used in the film ‘Friday The 13th Part VI: Jason Lives.’
• 10. “Escape” – ‘Welcome To My Nightmare’ (1975)

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  Originally written by Kim Fowley and the rest of The Hollywood Stars, the closer to 1975’s ‘Welcome To My Nightmare’ got the Alice Cooper treatment; including a rewrite of the verses and bridge.

• 9. “How You Gonna See Me Now” – ‘From The Inside’ (1978)

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  Given Alice’s penchant for shock rock, it’s understandable that some fans may forget what a great balladeer he is. We love his ballads, and we hope we’ve made our point: Alice Cooper is one of the most underrated ballad writers of his generation! Every other slow jam previously mentioned on this list were just the training wheels for this one. From 1978’s ‘From The Inside’, this touching piece of musical genius chronicles the real story of Cooper coming home to his wife Sheryl after recovering from alcoholism and was based on a real letter written to Sheryl at the time.

• 8. “Feed My Frankenstein” – ‘Hey Stoopid’ (1991)

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  “WE’RE NOT WORTHY! WE’RE NOT WORTHY!” This risque track is most known for its appearance in the 1992 music centric comedy, ‘Wayne’s World’, where Alice informs Wayne Campbell and Garth Algar the proper way to pronounce Milwaukee. (“It’s Mill-E-Wah-Que”).
• 7. “Welcome To My Nightmare” – ‘Welcome To My Nightmare’ (1975)

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  The opener and title track of Alice’s solo debut is an instant classic, and the first time we hear the rough vocals of Cooper without the original band behind him. The song, although more atmospheric than any of Alice’s previous works at the time, contains some tasty fills from new guitarists Dick Wagner and Steve Hunter. The almost funk influenced song contains a thumping bass line, horns, keys, and serves as a recipe for the next 40 years of Cooper’s career.

• 6. “Billion Dollar Babies” – ‘Billion Dollar Babies’ (1973)

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  Featuring the Scottish singer Donovan on backing vocals, the title track from the Alice Cooper Group’s 1973 release is everything you want from an Alice Cooper song. It’s evil, rockin’, and of course, contains the band’s trademark sarcasm that’s, as always, a bit macabre.

• 5. “Under My Wheels” – Killer (1971)

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  The rubber burnin’ “Under My Wheels” is a testament to the Alice Cooper Group’s beginnings in the rock and roll city of Detroit, Michigan and displays a band that is young, hungry, and fired up. This fast paced rocker joins “School’s Out” and “I’m Eighteen” as the most performed songs in Cooper’s catalog.
• 4. “Poison” – ‘Trash’ (1989)

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  Alice’s return to the world of hard rock in the mid 1980’s was led by the release of 'Constrictor’ (1986) and ‘Raise Your Fist And Yell’ (1987) - both commercial failures. With the help of producer Desmond Child, Alice navigated the terrain of ‘hair metal’ with the release of 1989’s ‘Trash,’ and most importantly, the album’s lead single: “Poison.” The song reached #7 on the Billboard 100 chart, and brought The Coop back to the forefront of hard rock and heavy metal.

• 3. “School’s Out” – ‘School’s Out’ (1972)

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  In the words of Alice himself, “The two most joyous times of the year are Christmas morning and the end of school.” Although “School’s Out” wasn’t the Alice Cooper Group’s first hit on the Billboard charts, it was the hit that made them a household name. The single, celebrating its 50th Anniversary this year, is still an anthem for children worldwide and signals the start of summer vacation.

• 2. “I’m Eighteen” – ‘Love It To Death’ (1971)

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  This unforgettable track is the tune that brought Alice Cooper to American airwaves, garnered the attention of the mainstream masses, and proved that the group had what it takes to join the forces of hard rock. The song tackles the often confusing stage of life between adolescence and adulthood and remains a staple in Cooper’s live show.
• 1. “No More Mr. Nice Guy” – Billion Dollar Babies (1973)

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  And lastly, coming in at the coveted number one spot is the Alice Cooper track that skyrocketed 1973’s 'Billion Dollar Babies' to #1 on the Billboard 100 chart. Cooper told Ultimate Classic Rock back in 2018 that the tune was 100% “autobiographical.” He says, “Everybody at that point didn’t know whether to love us or hate us. But I was definitely, with the general public, the worst person ever. I was the Antichrist.” Well, the Antichrist with the help of his bandmates penned one of hard rock’s most remarkable tracks that features doo-wop style background vocals, a sing-along chorus, and the dark satire that makes Alice Cooper… well… Alice Cooper.