Burglar Steals a Lawnmower After Mowing Victim’s Lawn First
A man in Texas stole a push mower from a property last month . . . and he MOWED THEIR LAWN before running off with it.
Security video shows the wanted suspect mowing the homeowners front and back yard. Then seen running from the area with the lawnmower.
Here is some of the video footage.
On 4/1/2022 Marcus Hubbard was seen on Security video burglarizing a residential building, he removed property from within the building without ownersā consent. He then is seen on Security video mowing the homeowners front and back yard. Upon Officers arrival Hubbard is seen running from the area while dragging the lawnmower with him. He abandons the lawnmower in an alley and evades apprehension. Hubbard currently has an outstanding warrant for Burglary of a Building. If you know this suspectās whereabouts or have any other information on this or any other crime, call Port Arthur Police at 409-983-8600 or Crime Stoppers of SETX at 409-833-TIPS (8477). You won't be asked your name and you may be eligible for a CASH reward. You can also make an anonymous tip to Crime Stoppers by downloading the P3 Tips app on your smartphone.
Posted by Port Arthur Police Department on Thursday, May 5, 2022
WATCH HERE IF VIDEO FAILS TO EMBED
He eventually abandoned the lawnmower in an alley while evading police. The police are still looking for him.
Rage Against The Machine: Top 20 Songs Ranked
Rage recorded a studio version of āKick Out The Jamsā for their 2000 covers album āRenegades,ā but this visceral live version captures both the energy of this iconic song and how Rage has always been the spiritual sons of the MC5.
So, what exactly does Rage covering Devo sound like? In the case of this selection from āRenegades,ā itās unexpectedly haunting in the best way possible. Simply put, the bandās cover of āBeautiful Worldā is...well...beautiful.
āForget about the movement/Anger is a gift.ā And so is this epic closing track to Rageās classic debut album.
Writing a song about how the FBI targeted iconic figures like Martin Luther King, Jr. and Malcolm X and then using the actual words from FBI memos as lyrics is a such a next-level act that itās amazing it came on Rageās debut.
One of the most popular covers in Rageās catalog is their take on Bruce Springsteenās 1995 acoustic folk track āThe Ghost of Tom Joad.ā Tom Morello would become a temporary member of Springsteenās E Street Band on the road filling in for Steven Van Zandt while he was filming Netflixās āLilyhammer.ā Morello would also appear on Springsteenās 2014 album, āHigh Hopes,ā which included a new version of āThe Ghost of Tom Joad.ā Talk about a cool full circle moment.
This 5:37 gem ripping apart the Euro-centric version of American History has some pretty incredible lyrics, but the best line has to be āMotherf*ck Uncle Samā for both its simplicity and how it conjures up Public Enemyās takedown of Elvis Presley and John Wayne on āFight The Power.ā
There have been a number of criticisms about conservative AM radio shows over the years, but āVietnowā clearly wins the award for āMost Blistering Verbal Attack,ā especially with lyrics like, āFear is your only god on the radio.ā
Easily one of Rageās most unique songs, its lamb/lion dynamic between its verses and chorus makes it a standout not just on āThe Battle of Los Angelesā but in the bandās entire catalog. The band may be known for its hybrid of rap and metal, but they certainly had no qualms about shaking things up.
Just a really catchy tune about socioeconomic inequality!
If U2ās The Edge played metal, heād be Tom Morello. Morelloās innovative and experimental guitar work has been written about countless times over the years, and itās because of tracks like āCalm Like A Bomb.ā
The opening track of āEvil Empire,ā āPeople of the Sunā proved that as far as political commentary goes, RATM wasnāt letting up on the gas pedal four years after their self-titled debut. In fact, if there was a way to push that pedal through the floor, Rage did it here on this track inspired by the Zapatista revolution in Mexico.
āEnough/I call the bluff/F*ck Manifest Destiny/Landlords and power whores/On my people they took turns/Dispute the suits I ignite/And then watch 'em burn.ā Rage really did have a way with starting an album off with a statement, and āBombtrackā is especially powerful since itās from their debut.
Want to know the sign of a great cover? When it eclipses the original. All due respect to Afrika Bambaataa, but āRenegades of Funkā is Rageās song the same way that āI Love Rock āN Rollā is Joan Jettās song.
Remember that thing about Rage knowing how to really kick off an album? āTestifyā is easily their best opening track, and it features the second-best bridge on āThe Battle of Los Angelesā: āWho controls the past now controls the future/Who controls the present now controls the past/Who controls the past now controls the future/Who controls the present now?ā (BTW: Youāll learn more about the best bridge five songs from now.)
Between the opening riff and the guest vocal from Maynard James Keenan, itās understandable why āKnow Your Enemyā is one of RATMās most memorable songs. However, āKnow Your Enemyā is not just āanother āBombtrackāā; itās a mission statement of the whole Rage ethos and literally points out the things they aim to overthrow (āCompromise! Conformity! Assimilation! Submission! Ignorance! Hypocrisy! Brutality! The elite! All of which are American dreams!ā)
If you thought a song about the atrocities of war and the colonization of the United States couldnāt have an incredible riff hook, āSleep Now In the Fireā proved you to be incredibly wrong. The songās impact is only expanded when coupled with its classic music video. Directed by Michael Moore, the video shows Rage performing in front of the New York Stock Exchange and āOccupying Wall St.ā before that was even a thing.
In todayās media landscape, you could easily see the respective political sides using lyrics like, āBelievin' all the lies that they're tellin' ya/Buyin' all the products that they're sellin' ya/They say jump and ya say how high/Ya brain-dead/Ya gotta f*ckin' bullet in ya headā against one another. If only Rage in 1992 knew what would come of the media in 2020. Also, it bears mentioning that Tim Commerfordās entire bass track takes āBullet In the Headā to a whole new level.
āGuerrilla Radio,ā ironically, is Rageās most commercially successful song and is the only Rage song to chart on the Billboard Hot 100 topping out at #69. (I know, nice.) Low hanging fruit jokes aside, āGuerrilla Radioā was released during the rap-rock/nu-metal boom and really just proved how all of those bands were just weak sauce compared to Rage. Plus, as far as bridges go, it doesnāt get more iconic than, āIt has to start somewhere/It has to start sometime/What better place than here/What better time than now?ā
This entire entry could be just, āF*ck you, I won't do what you tell meā listed 16 times just like the actual lyrics of āKilling In the Nameā and most Rage fans would get it. (In all honesty, this was legitimately considered for about two minutes, but then imagining that conversation with my editor would have only resulted in me saying, āF*ck...Iāll do what you tell me.ā) As far as statement songs go, youāre not going to find too many bolder, and that boldness is only amplified when you take into consideration this was the first single Rage ever released. If only this songās themes didnāt resonate so much nearly 30 years later.
Picking the best Rage Against the Machine song is a difficult task, because there are so many incredible contenders for that title. However, there are two important reasons why āBulls On Paradeā wins out: It proved that four years after their incredible self-titled debut, the band wasnāt some fluke, and it really drove home the mind-blowing insanity of those magical nine words. You know them, you love them and they appeared on the back cover of all of Rageās albums: āAll sounds made by guitar, bass, drums and vocals.ā Tom Morelloās ridiculous solo perhaps made you challenge them, but what you were hearing in all their defiant glory were those four basic band building blocks, albeit they sounded anything but ābasicā back in 1996 and that sentiment still rings true to this day.