Florida Man Shows Taco When Asked for I.D.
It could be argued that Florida man‘s day was not going well. After all, he was sitting in the drive-thru at a Taco Bell, passed out…as his truck burned.
According to Miami New Times, police say they responded to a call of a passed out driver in a drive-thru. When they arrived, the report says Matthew Falkner was found sitting in his vehicle as flames poured out from under the hood.
The man had apparently passed out with his foot all the way down on the accelerator, causing the engine to overheat and erupt into flames. Police quickly put the fire out with a fire extinguisher.
Florida Man Finds WWII Grenade and Brings It to Taco Bell https://t.co/uInXQOWAuM pic.twitter.com/oi85eV5Dzc
— Florida Man (@FloridaMan__) January 17, 2020
Workers say the man made it all the way through the drive-thru lane and started to eat his food before he passed out at the window. That’s when his Chevrolet pickup truck caught fire and began to billow smoke into the sky.
After the manager of the restaurant was unable to rouse Falkner on his own, he called the po po and let them handle it. As the minutes passed, other cars in line were unable to get food, so the situation grew more dire.
When the officer approached the car, he found Falkner snoozing and clutching a bag full of tacos. The officer was able to wake the man and ask for identification.
That prompted the man to reach into the bag of tacos and offer one to the officer. While tacos are tasty and a viable food option 24-hours a day, they are not currently accepted as a form of ID in Florida, so the man was questioned further.
Once the man took and failed sobriety tests, he was arrested and taken to jail for DUI. His BAC was tested and showed .227 and .225, which is approximately 3 times the legal limit if Florida.
[SOURCE: MiamiNewTimes.com]
The Red Hot Chili Peppers Songs Listed From Worst To First!
Red Hot Chili Peppers – Their 40 Best Songs Ranked
One of the first songs the band wrote for ‘Blood Sugar Sex Magik,’ it was a perfect blend of their classic punk/funk style with their new melodic sense. Kiedis declares his love for non-human earthlings: “I never met an animal that I didn't like/You can come to me I won't bite/Don't you know dog is man's best friend/There is some love that you can't fight.”
As Anthony Kiedis wrote in his memoirs (‘Scar Tissue’), he wrote the lyrics about a woman who left guitarist Hillel Slovak for someone with more money.
A sweet acoustic tune about Anthony Kiedis, Flea and John Frusciante’s surfing trip when the latter rejoined the band; drummer Chad Smith couldn’t make the trip, which is probably why there are no drums on the song (Smith does appear in the music video). One of the most endearing things about the Chili Peppers is that, through the decades, they still seem to genuinely love each other and they’re not shy about singing about it.
‘One Hot Minute,’ the band’s sole album with former Jane’s Addiction guitarist Dave Navarro, was a difficult alliance of talents. “Coffee Shop” was one instance where it really worked: Navarro’s thunderous psychedelic guitar perfectly fits in here.
The Chili Peppers paid tribute to George Clinton on the title track of their second album, which he produced for the band. They repeated the chant, “Funk ‘em, just to see the look on their face,” a quote attributed to Clinton himself.
It wouldn’t be the last time the Red Hot Chili Peppers sang about their hometown. And while the production sounds a bit dated, it features former guitarist Jack Sherman’s finest moment in his brief tenure with the band (after Kiedis yelps, “Better be burnin’, Sherman!”).
Another gem from the Chilis’ second album; again, you can smell George Clinton’s funk on this jam.
33.“Breaking The Girl” - ‘Blood Sugar Sex Magik’ (1991) In the ‘80s, the Chili Peppers made their rep off of their hyperactive jumpy funk jams. But by ‘Blood Sugar Sex Magik,” they were embracing Jimi Hendrix, and on this song, Led Zeppelin. This song sounds like one of the acoustic moments on Zeppelin’s third or fourth albums. It was one of the songs that signaled that the Chilis could grow up, just a bit.
A single off of ‘Stadium Arcadium’ that, sadly, seemed to get lost. In retrospect, it almost comes off as a last goodbye from John Frusciante; in the song he contributes some of his loveliest support vocals, not to mention one of his sweetest solos. And in the video (it’s on YouTube), you see the band hanging out together on a beach, clearly loving each other’s company. Here’s hoping that they’re bonding like that now that Frusciante is back in the band.
Another example of Anthony Kiedis and John Frusciante’s perfect harmonizing. The song has rarely been performed live because Frusciante played so many different guitar parts, it would have been impossible to reproduce in concert. But it’s one of the band’s best studio creations.
The highlight of ‘I’m With You,’ the band’s first album with guitarist Josh Klinghoffer. It’s a sendoff to Brenden Mullen, a club owner who gave the band one of their first shots, a gig opening for Bad Brains. He died on the first day of rehearsals for ‘I’m With You,’ and the band channeled their sorrow into this jam.
New guitarist Josh Klinghoffer was first brought into the band by his predecessor John Frusciante; he was a touring guitarist/keyboardist on the ‘Stadium Arcadium’ tour before ultimately replacing his friend. Here is one of the many instances in his two albums with the Chili Peppers that he proves himself to be a worthy heir, even if it didn’t last. His guitar playing and backing vocals are delicate and lovely.
Most of the band’s tributes to founding guitarist Hillel Slovak were posthumous, but this joyous one minute and seventeen-second romp celebrated him while he still walked the earth. According to the band, he was, in fact, skinny, sweaty and occasionally donned a green suit.
A great cover of the Sly & The Family Stone cover. Some of producer George Clinton’s P-Funk pals helped out, including saxophone legend Maceo Parker and the great Fred Wesley on trombone. It was their best cover until they tackled “Higher Ground” a few years later.
The opening track off of their debut album, Flea’s bassline is one of his funkiest (although there are too many funky Flea basslines to count). And Anthony Kiedis’ half-rapped/half-yelped vocals about riding saber-toothed horses and paisley dragons were both bizarre, unique and lovable.
Sometimes, originality is overrated. “Dani California” was criticized by some for sounding a bit too much like Tom Petty & The Heartbreakers’ “Mary Jane’s Last Dance” (and both songs were produced by Rick Rubin!). But Petty’s “American Girl” sounded so much like the Byrds that when Roger McGuinn first heard it, he wondered if it was a song he didn’t remember recording. So, sure, “Dani” bears a bit of similarity to “Mary Jane,” but it’s still a great song!
24.“Parallel Universe” - ‘Californiation’ (1999) Flea’s bass playing was classic disco filtered through Joy Division (who was a big influence on the band’s next album). Even though this song wasn’t a huge hit, they almost always play it live, and for good reason.
Another song where Flea seems to be getting his disco influences out. Indeed, the video -- shot in Brooklyn -- has a huge ‘Saturday Night Fever’ influence that it wears on its sleeve (well, not Kiedis: he’s naked for the entire video, save for a hat, sneakers and a codpiece).
In which the Red Hot Chili Peppers celebrate rock and roll’s early days by name dropping Chuck Berry, Little Richard and Bo Diddley.
Anthony Kiedis had a brief relationship with Sinead O’Connor, which inspired this bittersweet, acoustic ballad. It’s been a lament for the dumped ever since.
This ballad is the highlight of Dave Navarro’s time with the Chili Peppers, and it’s one of the band’s best slow jams. BTW, Navarro should have been inducted into the Rock and Roll Hall of Fame with the Red Hot Chili Peppers, but if there’s any justice, he’ll get in with Jane’s Addiction in the next few years.
19. “Dark Necessities” - ‘The Getaway’ (2016) The best song from Josh Klinghoffer’s era with the band, they co-wrote this one with their producer Brian “Danger Mouse” Burton, the first time they worked with someone other than Rick Rubin since 1989. Kiedis said in a video on the band’s YouTube pages that the song is about “the beauty of our dark sides and how much creativity and growth and light actually comes out of those difficult struggles that we have on the inside of our heads that no one else can see.”
Anthony Kiedis noted in his autobiography, ‘Scar Tissue,’ that this was one of the more difficult Chili Peppers songs to write, but it was worth the struggle. Here, they take a hard look at their home, particularly Hollywood, both the mainstream film industry and porn. They also shout out both ‘Star Wars’ (“Alderaan's not far away”) and ‘Star Trek’ (“Space may be the final frontier”) as well as Nirvana (who once opened for the Chili Peppers) and David Bowie (“Cobain, can you hear the spheres singing songs off ‘Station to Station?’"). It’s been one of the songs that the band has performed most since its release in 1999, and for good reason.
This song was never a single, but it should have been; it’s a midtempo jam with a lighters-up chorus and again, features Kiedis and Frusciante’s voices harmonizing perfectly. The string section (arranged by David Campbell, father of Beck) is a perfect example of how to add strings to a song without overdoing it.
It’s hard to remember these days, since the Red Hot Chili Peppers have been mostly beloved arena headliners for about three decades, but in the ‘90s, they were seen as total freaks. This song was an anthem for their people.
A song inspired by Kiedis’ struggles with drugs, the singer wrote it after going through a stint in rehab. Bradley Nowell of Sublime -- another frontman who had the same struggle with more tragic results -- quoted the line “No one can tell you you've got to be afraid,” in “All You Need.”
One of the band’s most sadly beautiful songs, it clearly resonated with Kiedis, as he named his autobiography after it. In the song, he looks at people who are down on their luck, as he had been many times before, and tries to find beauty at the bottom (“With the birds I’ll share this lonely view”).
The band’s best cover is this Stevie Wonder jam (from the 1973 ‘Innervisions’ album). The Chili Peppers became their first radio hit, reaching number 11 on Billboard’s Alternative chart, and 26 on the Mainstream Rock chart, setting the band up perfectly for their next album, 1991’s ‘Blood Sugar Sex Magik.’ Fun fact: Flea wore the same stuffed animal pants from the “Higher Ground” video and in the video for rapper Young MC’s “Bust A Move.” Not-so-fun fact: the pants were stolen a few years later.
The highlight of ‘Stadium Arcadium,’ it’s a rare case of a great song that’s made even greater by a video. The song is about hopefuls who come to L.A. to seek stardom. In the video, a number of hopefuls are interviewed about their experiences coming to L.A. and then play along to the song… before being surprised when they’re joined by the actual Chili Peppers. It’s one of the most pure expressions of joy that you’ll see in a music video.
In which the Chili Peppers give props to fellow L.A. freaks in X, Fishbone and Thelonious Monster (and sample each band), as well as giving a shoutout to Mike Watt and his band fIREHOSE (they later dedicated their ‘Blood Sugar Sex Magik’ album to Watt). They weren’t just friends with these bands, they were inspired by them; if you’re unfamiliar, check them out and find out why they mean so much to Anthony and Flea (you’ll thank us, and the Chili Peppers, for this).
A song where Kiedis struggles with his past addictions. The song was allegedly dedicated to Hillel Slovak, and Kiedis sounds haunted by his friend’s memory, as he tries to avoid his fate.
Another song haunted by the memory of Slovak; here, his replacement, John Frusciante, takes lead vocals and sings of the danger of drug addiction (something he would fall into in subsequent years). The song demonstrated that Frusciante would be more than just a “replacement”; it was clear that he’d be a major force in the band. “Knock Me Down” was also a turning point, as it showed a more mature side to their songwriting.
8. “Around The World” - ‘Californication’ (1999) The leadoff song on ‘Californication,’ the band’s reunion with John Frusicante, announced that the band’s chemistry was as powerful as ever. Flea drops one of his best bass lines, Frusciante’s guitar playing and harmony vocals were pristine and Kiedis’ lyrics and his scatting improvisations were classic Chili Peppers funk.
One of the band’s early experiments with melody and psychedelic sounds, they wanted “Behind The Sun” to be a single, but their label, EMI, refused, believing that the song was too melodic; the band’s fans wouldn’t go for it. After the Chili Peppers left EMI for Warner Brothers, they struck gold with ‘Blood Sugar Sex Magik,’ EMI released a complilation of the band’s earlier songs: 1992’s ‘What Hits?’ cashed in on the band’s exploding popularity. And the first single from the collection? You guessed it: “Behind The Sun.” The song hit #7 on Billboard’s Modern Rock charts, making it their only radio hit with Hillel Slovak.
“Behind The Sun” was an example of the band’s instincts being right. Here, Kiedis’ instincts were way off. Believe it not, Kiedis didn’t want to show the rest of the band his lyrics to “Under The Bridge,” as he didn’t feel it was appropriate for a Red Hot Chili Peppers song. Thankfully, producer Rick Rubin convinced him otherwise, and of course, the rest is history. The Hendrixian ballad sees Kiedis dealing with his past drug abuse and trying to transcend it. It’s more than just the band’s biggest hit (it peaked at #2 on the pop charts): “I don’t ever wanna feel, like I did that day” is a mantra for people who don’t want to repeat past mistakes.
5.“The Power Of Equality”/”If You Have To Ask” - ‘Blood Sugar Sex Magik’ (1991) Yeah, they are two separate songs. But so are Led Zeppelin’s “Heartbreaker” and “Living Loving Maid (She’s Just A Woman),” and we’re not listening to one of those without the other, either. “The Power Of Equality” and “If You Have To Ask” makes the perfect opening to the Chili Peppers’ greatest album. Kiedis puts his politics upfront on “Power”: “Right or wrong, my song is strong/You don't like it, get along/Say what I want, do what I can/Death to the message of the Ku Klux Klan.” He proudly notes that his politics are mirrored by the music that he listens to “I got tapes/I got CDs/I got my Public Enemy.” “If You Have To Ask” shows the band’s flip side, as Kiedis vamps over the “funky-a-- Flea bass.”
4.“By The Way” - ‘By The Way’ (2002) The title track and opening song on their 2002 album, “By The Way” showed that the success of the ‘Californication’ album wasn’t a fluke. The song combined the band’s mellow and explosive sides, not to mention Kiedis’ quirky lyrics: what did he mean by “Steak knife! Card shark! Con job! Boot cut?” It didn’t matter: it sounded great. And “Dani the girl” makes an appearance here: she’d later star in her own song a few years later, “Dani California.”
Another ode to friends and community. The original lineup of the Red Hot Chili Peppers reunited for ‘The Uplift Mofo Party Plan’: guitarist Hillel Slovak rejoined the band on the prior album, and Jack Irons returned on this album. That clearly gave Anthony and Flea a new burst of energy and inspired the singer’s lyrics, which sing the praises of his bandmates, as well as his friend Bob (they’re “Like two sweet peas in an even sweeter pod!”)
2.“Can’t Stop” - ‘By The Way’ (2002) The funkiest jam on ‘By The Way,” it has Flea’s second-best bassline ever. That would be enough to rate it as a classic, but everything on this song clicks: Chad Smith’s drums are totally in the pocket, John Frusciante’s angular funk makes it impossible to stand still while listening to this jam, and his harmony vocals are soaring. And of course, Anthony’s lyrics and delivery tie it all together: “choose not a life of imitation” is another Kiedis-ish mantra (indeed, lots of fans have gotten that line tattooed).
Flea’s greatest bassline anchors the funkiest song ever written about the benefits of generosity. The song’s simplicity is a bit deceptive: the lyrics aren’t just vamping. In his memoirs, Anthony Kiedis tells a story about visiting his then-girlfriend, German new wave icon Nina Hagen. When Kiedis was looking through her closet he saw a jacket he liked. Hagen told him to keep it, saying, "If you have a closet full of clothes and you try to keep them all, your life will get very small. But if you have a full closet and someone sees something they like, if you give it to them, the world is a better place.” This was, apparently, a new way for him to look at the world. Elsewhere in the song, he raps about the ability to improve yourself through knowledge, noting that it’s never too late to learn more: “I'm a low brow but I rock a little know how… Get smart get down with the pow wow/Never been a better time! Than right now!” As if the song wasn’t perfect enough, they shout out Bob Marley, while John Frusciante quotes the guitar riff from Black Sabbath’s “Sweet Leaf.”
And The Worst To First Beatles Songs!
Beatles: Top 50 Songs Ranked
Upbeat yet revealing, "Getting Better" and its jaunty melody are a unique juxtoposition with its lyrics in which John Lennon admits, "I used to be cruel to my woman/I beat her and kept her apart from the things that she loved/Man I was mean but I'm changing my scene." It's one of many examples of lyrical and musical differences between Lennon and Paul McCartney and how magical their partnership was.
Obviously, this is one of Ringo Starr's best Beatles moments, and how can it not be? It's a classic tune about friendship whose power only increased when it was covered by Joe Cocker in 1968.
Which is more memorable: John Lennon's vocal performance or the song's use in 'Ferris Bueler's Day Off'? One thing that is for certain is that this song is one of the greatest covers of all time.
Even though the song isn't about drugs, its dreamy melodies certainly do lend themselves to a good trip. Alas, it's just a really catchy, charming tune inspired by a child's drawing.
"Please Please Me" was the first single the Beatles released in the United States where it would eventually peak at no. 3 on the Billboard Hot 100. Not a bad first outing on the charts or an intro to the band.
Sure, McCartney rhymed "there" with "there" a lot, but "Got to Get You Into My Life" is so joyful it doesn't matter just like it doesn't matter the song is about weed and not love. And that brass section? A pure delight! Of course, we'd be remiss if we didn't mention Earth, Wind & Fire's incredible 1978 cover, which became a Billboard Hot 100 top 10 hit for the R&B icons.
Not subtle but definitely cheeky, "Day Tripper" told the tale of a woman who just wasn't in it for the long haul when it comes to relationships...or it's about drugs, which very much a common theme to some of the Beatles' biggest and best songs.
Any writer hustling to land a job or to get published can surely relate to this one. Add in Paul McCartney's amplified bass, and the Beatles score yet another no.1 hit on the Billboard Hot 100.
As I write this entry, it's hard not to send a ton of love to this early Beatles single. P.S.: It will always be a perfect love letter.
"Love Me Do" was The Beatles' first single in the U.K. but it received a proper single release in the U.S. in 1964. Plus, that hooky harmonica intro is "chef's kiss."
The moment John Lennon belts out "Don't Let Me Down," it's hard not to be transported to the concert on the rooftop of Apple Corps headquarters. Simple, straight to the point, it's hard not to feel this one in your heart and gut.
There are multiple interpretations of "Blackbird," with the most notable one being about the civil rights movement in the United States. Whatever you feel the source of inspiration is, it goes without saying that more than anything, "Blackbird" is a song of healing, and like other poignant Beatles songs, it has brought comfort to so many for decades.
"I Saw Her Standing There" is basically the poster-child of the 'American Bandstand' phrase, "It's got a good beat and you can dance to it." Try to listen to it's poppy goodness and not dance or at least tap your foot. If you can resist, you might be a cyborg.
John Lennon told 'Rolling Stone' in a 1970 interview, "It's one of the best lyrics I've written. In fact, it could be the best. It's good poetry, or whatever you call it, without chewin' it. See, the ones I like are the ones that stand as words, without melody. They don't have to have any melody, like a poem, you can read them." Of course, the dreamy melody doesn't hurt either.
HEY! You've got to admit that this Bob Dylan-influenced ballad is brilliant, especially the "Feeling two-foot small" line. The original lyric was "Feeling two-foot tall," but after a fateful flub when playing it for McCartney, Lennon changed it. Talk about a happy accident.
The Phil Spector production on "The Long and Winding Road" is very grand in the best way possible. The grandeur paid off, though. "The Long and Winding Road" would be the last song from The Beatles to top the Billboard Hot 100 giving the band an even 20 no. 1's.
"Dear Prudence" and its warm, inviting lyrics appeal to everyone. If you're looking for proof, both the Jerry Garcia Band and Siouxsie and the Banshees have covered the tune, with the latter's cover becoming the band’s most successful single in the U.K. topping out at number three.
The autobiographical song about John and Yoko's wild wedding and honeymoon protest might just be the coolest song about a wedding and honeymoon ever. George Harrison and Ringo Starr are absent on the recording due to being on vacation and filming a movie, respectively, but Lennon just couldn't wait to record the song (that's Paul on the drums, by the way). When you gotta record, you gotta record.
Whether you believe the song is about a woman leaving her boyfriend or about prostitutes who tested negative for STDs, one thing we all can agree on is Ringo Starr's stellar drumming on the track.
The song may not be explicitly about Lennon and McCartney, but the whole opposites/two sides of the same coin message in the lyrics certainly could open itself to that interpretation. Remember the phrase "yin and yang," because it's going to pop up later in this list.
Many Beatles songs feature all sorts of life lessons, but perhaps the most underrated might be, "Life is very short, and there's no time for fussing and fighting, my friend." While the song is about two lovers, "We Can Work It Out" can easily be applied to two friends once proving the universal nature of The Beatles.
It's really hard to break up this 'Abbey Road' medley into individual pieces when they were meant to be together. The closest this eight-song delight gets to being broken up is on the radio when "Golden Slumbers," "Carry That Weight" and "The End" are played together. Frankly, if the only contribution to society this medley yielded was that classic moment on 'Saturday Night Live' between Paul McCartney and Chris Farley, it would be legendary enough.
Is this the Beatles' second no. 1 song in the U.S? Yeah. Was it one of the big steps that birthed "Beatlemania"? Yeah. Does it have one of the greatest hooks in music history? Um...YEAH, YEAH, YEAH!
"Eight days a week is not enough to show I care." Can you say, "Swoon!"? Love is beyond complex and strange, but some of those early Beatles songs make it sound so simple and delightful.
If you went through the madness that was Beatlemania, you'd probably freak out, too, just like John Lennon. Of course, Lennon sure had a way to turn his anxiety into a catchy no. 1 hit song.
"Something" remains one of the most-beloved, best ballads of all time. It has been covered by a number of artists over the years including Smokey Robinson, Ray Charles, Elvis Presley, Tony Bennett and Ike & Tina Turner.
Paul McCartney's ode to suburban life, "Penny Lane" might be the prettiest song about living in the 'burbs ever. Very strange, indeed.
A tribute to the loniness of life, "Eleanor Rigby" becomes even more haunting thanks to the very moody string section.
If LSD had a theme song, it might be this closing track on 'Revolver.' The song would also go on to close the Season 5, Episode 8 episode of 'Mad Men,' which saw Don Draper put the album on his turntable and put the needle on the track at the recomendation of his very young second wife, Megan. Draper is clearly not impressed nor does he want to "float downstream" or "surrender to the void" and turns the song off before it ends. Side note: The price tag to use "Tomorrow Never Knows" on 'Mad Men'? A cool $250k.
Sure, lyrically speaking "Get Back" doesn't make much sense, but its power lies within its killer groove and the wonder that was Billy Preston's electric piano. No one said a great song had to make sense!
Rife with experimental recording effects, most notably John Lennon's slowed down vocal track, "Strawberry Fields Forever" is a lovely nod to the garden where he played as a child and is easily one of the most unique songs in the Beatles catalouge. Simply put, no other song sounded like "Strawberry Fields Forever" before its release and no other song has sounded like it since.
"Can't Buy Me Love" triggers two memorable images: The Beatles running down a fireescape and froliking in a field and Patrick Dempsey riding off into the sunset on his lawnmower after getting the girl. Both moments have the perfect soundtrack, and that soundtrack was yet another no. 1 hit on the Billboard Hot 100.
Hearing the studio recording of "I Want to Hold Your Hand" now, it's hard not to also hearing the screaming of fans in attendence during that legendary Beatles appearance on 'The Ed Sullivan Show.' The song itself was released a little over a month after the tragic assassination of President John F. Kennedy, and it was the perfect, wholesome pop song to raise the spirits of a mourning nation.
"A Hard Day's Night" has two unique destictions: 1. You can recognize it with just its opening note. 2. By hearing it, you can immediately imagine yourself running while being chased by crazy fans in a train station.
Famously written by Harrison in Eric Clapton's home garden after playing hooky from some meetings at Apple Records, "Here Comes the Sun" is the angelic sound of relief and release from whatever problems life may have thrown at you. Understandably, the song remains a major fan favorite of fans to this day and has been covered by numerous artists from Nina Simone to Booker T. & the M.G.'s and was even covered on an episode of musical dramady 'Glee.'
Third time was the charm for "Revolution." The single version served as the b-side to "Hey Jude" and followed the versions "Revolution 1" and "Revolution 9" on "The White Album." The tempo increased and got a heavy dose of fuzzy guitar and that helped transform a great song into a classic song.
'Rubber Soul' was obviously a major turning point for the Beatles, and the album's standout track is "In My Life." The track hinted at the depth of what was to come from the band and is still one of the most moving songs about love and friendship to ever be written.
"Come Together" and its wacky lyrics kick off 'Abbey Road' in epic fashion. It provided The Beatles with one of their final number one singles topping the Billboard Hot 100 and staying on the chart for 16 weeks. It has one of the coolest, most-recognizable intros in music history. Simply put, it's 4:19 of rock and roll perfection that is unlike anything else in the Beatles catalog.
Welcome to George Harrison's coming out party! When taking in 'The White Album,' there's obviously a lot to absorb track-wise, but it's hard to walk away and not be moved by the tension of "While My Guitar Gently Weeps." Add in Eric Clapton's iconic solo, and you don't just have a song; you have a statement.
By now, we all know the story behind "Hey Jude," the 7:11 epic McCartney wrote for Julian Lennon when his parents split up. The song would go on to top the Billboard Hot 100 for nine weeks in 1968 and is the most-successful song in the Beatles' catalouge, which is a stunning statistic when looking at their catalouge. And if you've been fortunate enough to see Sir Paul live since he added it to his setlist, "Hey Jude" is always a highlight live.
It's a pop song, and to some, it could also be a prayer. A beautiful tribute from a son to his late mother, it was the last song released by the Beatles before Paul McCartney left the band. Like many Beatles songs, it topped the Billboard Hot 100. As far as exits, what a way to go.
Remember how at the start of this list in the entry for "Getting Better" we mentioned how magical the Lennon/McCartney partnership was? This might be the greatest example of their yin and yang together. Lennon's chaos and McCartney's calm. Add in a dizzying orchestra, and it provides for an incredible closing track to 'Sgt. Pepper's Lonely Hearts Club Band.'
It might be cliche to name "Yesterday" as the best Beatles song, but cliches aren't neccessarily a bad thing when they're this devastdatingly beautiful. It's beauty can be found in its lyrics and its simplicity. On the other hand, the song's pain is universally felt by anyone who's been dumped. It's a 2:03 masterclass in pop excellence, and you'd be hard-pressed to find anyone to disagree with that.